top of page
Search

Building an Abstract Landscape

  • Dec 21, 2023
  • 2 min read

Updated: Apr 21


Two quilted panels in colorful landscapes, from the bottom; blues represent sea, tan representing sand, purple and gold representing mountains, reds, pinks, and purples, representing sunset, blue and purple representing upper sky.

Earlier this year, I had an amazing opportunity to create art quilt panels using a collection of saris from a family's wedding which took place in India. The project is reminiscent of the joyfulness of the joining of families and the vibrancy of the Indian culture. The saris were a mix of fiber types woven into opulent jacquard, damask, dupioni, and iridescent finishes. Having been stored for several years, creating these panels was a brilliant way to bring these memories into a prominent place in the home.


The concept was developed from the owner's vision to have the fabrics represent an abstract landscape, and would be mounted to two 24" x 60" frames. I generated improv-based design options in several color layouts in my illustration software, and from these they chose a version that represented an ocean, desert, mountains, and sunset.


To begin construction, I used a light weight interfacing on all the fabrics to prevent fraying and add stability. I used a layering technique that built the pieces from the bottom up. For each piece I drew a chalk line on the fabric before cutting the curve to ensure the composition would remain balanced.


Because I would be gallery framing the pieces on 1-1/4" stretcher bars, each piece finished at ~ 30"W x 68"H to ensure that they would be large enough to wrap.


Setting stretcher bars on top of the quilt tops to gauge sufficient overlap

Once the composition of the tops was complete, I stitched the waves in place. I then layered batting under each top and traced a chalk line indicating the placement of the frame. The pieces were then basted in place before quilting.


Basting batting to the quilt top and marking the edge of the frame

Once the pieces were quilted, I trimmed the batting to the chalk lines.


I wanted to ensure that the quilts had a good foundation, so I stretched canvases over the stretcher bars before attaching the quilts.


Stretched canvas over the stretcher bars to provide a foundation for the quilts

Even though I interfaced the sari fabric, I was reluctant to staple directly into the quilt tops. I attached a cotton border around the perimeter of the quilts to take the staples. The corners were tricky and I trimmed away some of the border fabric to reduce bulk and make a clean finish.


For me, the process of creating these personal pieces is a wonderful and all-encompassing journey. It begins with making a connection, developing an artistic concept, and then engaging in a technical process. However, once the project approaches the finish line, the connection to the memories and personal nature of the project is fully realized. It is indeed a gift and privilege to work on these projects, and it is always my mission for a quilt, in any form, to bring many years of joy, comfort, and happiness to its owner.


Liz

 
 
 

Comments


  • Instagram - White Circle
  • White Pinterest Icon

Copyright © 2026 Liz Davis, ArtHouse Quilts . All rights reserved. 

Background, "About me," and some gallery photos (as noted) taken by Regina Madwed, Capitol Photo Interactive.

PRIVACY POLICY 

Bubble Logo -I'm a member-Modern Quilt Guild
bottom of page